Bahman maghsoudlou biography of abraham

The film premised at the Montreal World Film Festival. It was also featured at the Festival International du Film d'Histoire in Pessac, France, in a special section dedicated to Kiarostami. As well as being an entry in the Renowned Iranian Artists series, it is also the first installment in another series, Iranian Cinema: Searching for the Roots.

This new series, as planned, will have ten parts. Like the Kiarostami film, this film served as the next entry in both the Iranian Cinema and the Renowned Iranian Artists series. Through copious interviews with the most prominent actresses of the pre-Revolutionary period including Pouri Banayi, Susan Taslimi, Irene Zazians a. This was followed in by Seven Servants, a co-production with German company Das Werk, featuring the late Anthony Quinn in one of his last roles.

By the video market had changed considerably. Maghsoudlou abandoned the traditional model in favor of an emphasis on production. So, after sixteen years, a fond farewell was bid to IFVC, the store. However the end of one era signaled the beginning of another…. As time goes on, IFVC remains committed to celebrating the art of film, by offering quintessential cinematic features in both DVD and VHS format which can be purchased via the website, as well as producing and distributing original features.

We will continue to embrace cinematic excellence. I opened a video store in Manhattan inat the onset of home video. Very few titles were available then on video. I tried to be different to other video stores and stocked videos of foreign art films, documentaries, silent films, and classic movies. My customers included universities, advertising companies, as well as film lovers.

My video store became well known and was written about in the local papers. I also gave him some videos from the classic cinema of Egypt, which he liked. A Saudi prince, whenever visiting New York would call me to his suite at Waldorf Astoria and I would take a suitcase packed with videos! Apart from that I showed their true worth and high place in the cinema.

Some people who used to look down at these actresses from a high moral platform as cheap women, were crying at the screenings and saying how sorry they were. This film affected men in particular and was seen by international audiences in various film festivals. Sadly, many of the people that I have interviewed in my documentaries are no longer alive.

Bahman maghsoudlou biography of abraham: The Legacy of the Iranian Actress

Amir Naderi used to live in my house in New York before the revolution when he was making Made in Iran there. After the revolution he returned to Iran. One day I was in my office in New York and Naderi turned up with an airline bag, having flown from Australia where he was attending a film festival. He told me that he had left Iran for good and asked me to produce his next film.

I met Anthony Quinn in New York and we became friends. A friend of mine had written a script which I showed to Quinn and he agreed to play in the film. I got Gato Barbieri to write the music for both this film and Manhattan by Numbers.

Bahman maghsoudlou biography of abraham: I gained further information about

These will all be detailed in my memoirs which I am writing at the moment. When did you make the Kiarostami documentary? The film examines them in the context of the socio-political history of Iran from the formation of the constitution to the revolution…. Like the Kiarostami film, this film served as the next entry in both the Iranian Cinema and the Renowned Iranian Artists series.

Through copious interviews with the most prominent actresses of the pre-Revolutionary period including Pouri BanayiSusan TaslimiIrene Zazians a.

Bahman maghsoudlou biography of abraham: During the three decades spent researching

Iren and Shohreh Aghdashloo and an abundance of rare clips from their films, the documentary examines the role of women in Iranian cinema from both cultural and artistic standpoints. In an article in Asharq Al-Awsatjournalist Amir Taheri wrote that the film "contains several exciting surprises," also noting that the interviews with the actresses "[shed] light on a chunk of Iran's contemporary history" and "[remind] us that it was always difficult to be a woman in Iran even under the Shah, and that being a film actress was even more of a gamble.

The next film, the third to represent both series, focused on filmmaker, critic and playwright Bahram Beyzaiand was called Bahram Beyzaie: A Mosaic of Metaphors. Bijan Tehraniwriting for Cinema Without Borders, called it a "must-see" and "a beautiful and lasting artwork. The next film in the Renowned Iranian Artists series was 's Najaf Daryabandari : A Window on the Worlda short film about the prominent Iranian writer and translator who brought works by, among others, Hemingway, Faulkner and Twain to an Iranian audience.

Cinema Without Borders called the documentary "well-made, informative and at the same time entertaining".

Bahman maghsoudlou biography of abraham: Author Bahman Maghsoudlou's text is exceptionally

As a producer, Mr. Maghsoudlou's films have been to more than film festivals worldwide. These films include:. Maghsoudlou has served as a jury member for several prestigious international film festivals. Maghsoudlou is the recipient of Iran's Forough Farrokhzad literary award for writing and editing a series of books about cinema and theaterincluding Iranian CinemaNew York University's Center for Middle Eastern Studies.

He has presented this award at the fourth Forough Farrokhzad awards ceremony, held at the Central Palace for Young Adults in February The book's initial narrative details what the three individuals did during and after World War Iincluding Cooper and Harrison's stints as prisoners in Russiaand then describes their joint trip to Iranwhere they had vowed to follow one of the nation's nomadic tribes on their annual migration, eventually settling on the Bakhtiari.

The trip was filmed and the footage turned into one of the first documentary films, Grass. Maghsoudlou's book was published by Mazda Press and featured a foreword by renowned film historian Kevin Brownlow.