Franz kneisel violinist mischa

Cabot, and Charles A. Kneisel composed one Grande Etude de Concerta moto perpetuo for violin and piano dedicated to Lillian Bliss, [ 16 ] and a cadenza to Brahms' concerto. Media related to Franz Kneisel at Wikimedia Commons. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools.

Franz kneisel violinist mischa: Franz Kneisel, the eminent violinist who

Download as PDF Printable version. In other projects. He must gain his art ends by diplomacy and tact, he must always remember that his fellow artists are solo players. If he is arbitrary, no matter how right he may be, he disturbs that fine feeling of artistic fellowship, that delicate balance of individual temperaments harmonized for and by a single purpose.

In this connection I do not mind confessing that though I enjoy a good game of cards, I made it a rule never to play cards with my colleagues during the hours of railroad traveling involved in keeping our concert engagements. I played chess.

Franz kneisel violinist mischa: Believe it or Not: Franz Kneisel

In chess the element of luck does not enter. Each player is responsible for what he does or leaves undone. And defeat leaves no such sting as it does when all may be blamed on chance. And so I have never regretted giving cards the go-by! Kneisel's activity as a teacher has added to his reputation. I teach according to principles, which must, of course, vary in individual cases; yet whose foundation is fixed.

And like Joachim, or Leschetiszky, I have preparatory teachers. Here in America the violin student as a rule begins serious technical study too late, contrary to the European practice. It is a great handicap to begin really serious work at seventeen or eighteen, when the flexible bones of childhood have hardened, and have not the pliability needed for violin gymnastics.

It is a case of not bending the twig as you want the tree to grow in time. And those who study professionally are often more interested in making money as soon as possible than in bending all their energies on reaching the higher levels of their art. Many a promising talent never develops because its possessor at seventeen or eighteen is eager to earn money as an orchestra or 'job' player, instead of sacrificing a few years more and becoming a true artist.

I've seen it happen time and again: a young fellow really endowed who thinks he can play for a living and find time to study and practice 'after hours. There is a certain angle at which the bow should cross the strings in order to produce those vibrations which give the roundest, fullest, most perfect tone [he took his own beautiful instrument out of its case to illustrate the point], and the violin must be so held that the bow moves straight across the strings in this manner.

A deviation from the correct attack produces a scratchy tone. And it is just in the one fundamental thing: the holding of the violin in exactly the same position when it is taken up by the player, never varying by so much as half-an-inch, and the correct attack by the bow, in which the majority of pupils are deficient. If the violin is not held at the proper angle, for instance, it is just as though a piano were to stand on a sloping floor.

Too franz kneisel violinists mischa students play 'with the violin' on the bow, instead of holding the violin steady, and letting the bow play. Joachim, when he studied as a ten-year-old boy under Hellmesberger in Vienna, once played a part in a concerto by Maurer, for four violins and piano. His teacher was displeased: 'You'll never be a fiddler!

And if Joachim had not given his concentrated attention to his bowing while there was still time, he would never have been the great artist he later became. You can listen to that recording here. Some sources say he was concertmaster up to but I could not confirm that. Einstein also took lessons from Toscha Seidel. Jacobsen died on March 19,at age No comments:.

Post a Comment. Tuesday, May 8, Franz Kneisel.

Franz kneisel violinist mischa: Hailing from Bucharest, Romania, Franz

Franz Kneisel was a German some would say American or Romanian violinist, conductor, composer, and teacher born in Bucharest on January 26, He is known for having taught for many years at the Institute of Musical Arts Juilliard and for having led the famous Kneisel Quartet for more than thirty years In Europe, that tradition had already been in motion and thriving for over years.

Kneisel graduated from the Bucharest Conservatory inat age Inhe made his debut in Vienna. He then soon became concertmaster of the Hofburg Theatre Orchestra in Vienna.