Imax documentary full biography

Our technical expertise in sound and editing, as well as sharp negotiation skills, create significant advantages allowing us to produce with efficiency, creativity, and fiscal-responsibility. We tell great stories, directing with efficiency and an inventive nature. Our background in large-format film pushes us toward bold visuals. We quickly gain the confidence of film subjects and.

Editing services are offered with a clear understanding of subject, character and story. We strive to provide the best final product, in a spirit of collaboration with production teams. Now Playing! Aboriginal People's Television Network. All Rights Reserved. John Lennon and Yoko Ono at a press conference from their bed in John Lennon. Yoko Ono.

In all my years in the Astronaut office, I have never seen so many people wanting to sign a single award. The words follow:. This letter is to express my personal thanks and the sincere appreciation of the Astronaut Office for the continuing and superlative support you have given to the Space Shuttle Program. Your involvement in all stages of the development of the giant screen, large format IMAX system has created for you a place in the history of film production.

Your role as a film maker has allowed you to immortalize the wonder of space flight for millions of people worldwide. You and your IMAX team have trained us to film for you with unwavering patience and dedication and a completeness unequaled by most payload training.

Imax documentary full biography: IMAX 3D Documentary films

You have encouraged us to share your vision and demonstrated with your enthusiasm, creativity and sincerity that you most definitely share ours. We in the Astronaut Office appreciate not only your dedication to excellence but respect and applaud your role as a film maker and educator. Through your work you have provided the world a better understanding of NASA and the space program and an appreciation of the very spirit of exploration.

It continues to be not only a delight to work with you and for you, but an honor and a privilege. To say that he played an important role in our lives is an understatement. His gentle leadership and filmmaking style was an inspiration that has guided me throughout my career. We will certainly miss him greatly. Back then Graeme Ferguson was, to me, more legend than mortal.

I had been told he was a filmmaker and inventor, and quite a genius at that undertaking. I was a completely mesmerized 9-year-old boy at this experience. When I saw Graeme after the screening, he smiled his iconic gentle smile as I gushed about his movie. To this day I believe that Graeme lived mostly to have been able to proffer that contented smile to all hundreds of millions collectively that he moved with the IMAX experiences he brought to them.

I replied that I did, not having revealed my prior relationship to Graeme and his family. He looked up, and that very same smile immediately flashed across his face. Bruce Peer almost collapsed from the surprise. I joined the IMAX team. Graeme had a unique way of connecting with people. As an artist he could occasionally seem aloof, wrapped up in his own never-ending thoughts.

He was both a gentleman and a gentle man. He possessed a brilliant, expansive, and creative mind. He could often break down complex issues to simple components and was happy to do so generously with whomever asked for his help.

Imax documentary full biography: The Story of Earth

Most of all, he could warm up a room with that gentle smile he was always sharing. Jim and I travel to Toronto and met Graeme, Bill Shaw, and Robert Kerr in a garage where they showed us the first camera that they had built to shoot for 70mm perforation film. We all talked about what we could see for the future of IMAX, and what would be needed to get there at the time, but IMAX could not afford to make any additional cameras.

So, we made a deal with them. We would supply them in advance with the funds to build three new cameras, each with improvements that Jim and I suggested from the experience that we had had with Hollywood-style movie cameras, and they would attempt to build those cameras in four months so that the three cameras could be used, two on To Fly!

As we sat on boxes and discussed our dreams, in this dark and cold garage in Toronto, an element of trust grew. Jim and I liked these three creative Canadians immediately. I think it took time for these skeptical Northerners to trust anyone from the Hollywood area. At the finish of the meeting, we shook hands and gave them a check to begin working.

They all risked it all to make movie-going a better experience for us all. It changed my life. That started a conversation that lasted a lifetime. I was working at the Hutchinson Planetarium at the time, and we were building a new planetarium and space center. I came back after that conference and proclaimed: we have to get an IMAX! I was so blown away that I knew instantly that I wanted to work in the IMAX giant screen industry for the rest of my life.

It all started when I met Graeme at a planetarium conference! Back in those days, Graeme used to visit the theaters two or three times a year.

Imax documentary full biography: A. Adrenaline Rush (film) · Adventures

He always had great stories. When Graeme was working on Hail Columbia! It includes a description of the training required in order to climb the 29, feet to the summit of Mount Everest and the challenges faced during the ascent, such as avalanchesblizzards, and oxygen deprivation. Everest was in production at the mountain during the Mount Everest disasterin which another group of climbers became trapped by a blizzard near the summit.

MacGillivray said "Ten million people have read that book, so we had to address the issue. And I think it strengthened the film. It includes a "Making of" featurette, an extended interview with Beck Weathers, deleted scenes, climber video journals, and a 3D map of Mount Everest.

Imax documentary full biography: Graeme Ferguson, Roman Kroitor,

The soundtrack features songs by George Harrison[ 4 ] which composers Steve Wood and Daniel May reinterpreted in the Tibetan folk style as part of their film score. Harrison agreed to their use in the film on the understanding that his name would not be used for publicity. Narrator: Just above the high camp, a climber named Beck Weathers had been out in the storm for over 22 hours.

He had been left for dead by other climbers, and then, nearly blind, his hands literally frozen solid, Beck stood up, left his pack, and desperately tried to walk. Weathers: All I knew was that as long as my legs would run and I could stand up, I was gonna move toward that camp, and if I fell down, I was gonna get up. And if I fell down again, I was gonna get up.

And I was gonna keep movin' till I either hit that camp, or walked off the face of that mountain. Paula Viesturs: The difference between me and Ed is, when we go for a five-hour bike ride, I call it a workout … He calls it a warm-up. Contents move to sidebar hide.